Discover how retro filmmaking techniques such as nets, and diopters can help you customize the look of your Signature Prime lenses. These lenses give us that possibility. The added benefit of the magnetic rear net holders made these lenses a no-brainer, allowing us to have consistent net stretches across the entire lens range. The Plain old K series (pre-m, pre-a) is probably the best built, but with rehousing Im not sure thats as big of an issue. Simply visit your local optician with a filter holder and ask them to fit a close-up lens of whatever strength, coating or tint you want to try. Cinematographer Logan Schneider (known for: Drunk History, Gentefied, Watson, Ave Maria Bamford and many more). Great small wide lenses for super 35mm would be the limited 15mm and 21mm apsc lenses, if they can be outfitted with apertures as part of their cine-mods. They are immaculate. For example, I leave you 2 pictures of the same lens, a Sigma 18-35mm f1.8/t2.0. CANON Lens Cap 78mm Black Metal. When Films at 59 purchased full-frame cameras there was only one real lens choice, and that was the ARRI Signature Primes. Cinematographer Michael Dwyer (known for: Justin Bieber: Seasons, Pocha: Manifest Destiny, I'll Sleep When I'm Dead and many more). Crop factor for 8mm / super 8 cine lenses. Rehousing is when you take a still photography lens (or any particular lens, can be a projection lens or a particular old cine lens), and you use the glass of it in a Cine Lens housing. For this story, we used mainly wide-angle lenses and hard lighting. Pentax Q + 01 Standard Prime + Cine lens + extras. https://www.pentaxforums.com/lensreviews/, Kimcamera - Sent to customers after rehousing work Pentax... | Facebook. Rehousing of lenses is typically not done for individual lenses - a single copy of this and a single copy of that lens. Many videographers like the super takumar, SMC takumars, and the K mount takumars for sharpness and some for their flaring and flares. See the various perspective results of different Signature Primes focal lenghts at varied distance to the camera. The image that the LF and the Signatures produces seems, to me, more like what my eyes see than anything else I experienced so far. I don’t think I’m going to be shooting on anything else for a while. It's sold body only (handy if you already have Sony lenses), but if you intend buying it with a kit lens we'd recommend paying the extra for the Sony 18-135mm f/3.5-5.6 lens, which has much longer reach and better optical quality than the standard 16-50mm f/3.5-5.6 PZ lens. Universal Studios’ “The Invisible Man” is the first feature film made in Australia with ALEXA LF, ALEXA Mini LF, and ARRI Signature Prime lenses. Taking advantage of the know-how ⦠We were able to experience how lightweight and how good it felt to shoot with Signature Primes even for handheld- heavy films with a lot of movement. ARRI Signature Prime and Signature Zoom lenses are equipped with the LPL (Large Positive Locking) lens mount. For me, they are the perfect tools for the ALEXA LF camera. An additional way to explore different looks with the Signature Primes is to use ARRI’s uncoated replacement front element, which can be fitted by the user in just a few minutes to increase flaring, ghosting and reflections. Signature Primes are a gorgeous complement to the magnificent ALEXA LF. For one of my most recent projects, I used a special helmet with the camera (Sony Venice) and Signature Prime 21. Reading on the web it seems like a form of refurbished? Also, regarding the way the lenses are produced, I was surprised by their weight. The Signatures have become an industry standard in record time. The timeless look of Signature Primes will never go out of style. Signature Primes are the closest lenses to how I see things in reality. The Signature Primes were an obvious choice for this project – the creative latitude they provide is unparalleled. Hence being able to view, edit and "post" footage recorded with our digital cameras. Read below about this unique piece of glass. They are extremely fast and have a great flare resistance! They have aperture, they are lightweight, and they even cover from 18 mm to 125 mm; this is an area where there are not many options available yet. Cinematographer Stephan Massis (known for: Un monde à nous, Looking for Cheyenne and many more). Super MTF but not too sharp or contrasty. I really liked the flares: soft edged and blue-yellow in color. As one of the world's leading manufacturers of motion picture cameras, lighting, and archival equipment, ARRI is also committed to providing the finest technical support for its products at 13 advanced service centers worldwide. ARIRAW footage recorded before such an update benefits as well as it can be re-processed through an updated pipeline. Un libro electrónico, [1] libro digital o ciberlibro, conocido en inglés como e-book o eBook, es la publicación electrónica o digital de un libro.Es importante diferenciar el libro electrónico o digital de uno de los dispositivos más popularizados para su lectura: el lector de libros electrónicos, o e-reader, en su versión inglesa.. Aunque ⦠Cinematographer Stefan Duscio ACS talks about shooting a character that can’t be seen. They have a gentle feel to their contrast and resolution - sharp and crisp enough to see details in the shot, but not so defined and edgy as to look clinical. Even with little depth of field, backgrounds are still very readable. Super! It's also retro-punk and looks forward to more familiar cine-comic books, such as SIN CITY. Watch over 3 million of the best porn tube movies for FREE! They are modern and yet have character. I enjoy using these lenses in combination with ARRI’s large-format cameras, because, thanks to the large sensor, the image becomes much deeper, more saturated compared to other cameras. ARRI has shared LPL specifications openly and free-of-charge across the industry, establishing the LPL lens mount as a standard interface between cameras and lenses. They are very transparent in color and light and the out of focus areas (bokeh) of the Signature Primes are very precise. Cannot speak about lenses that are wider and more tele, but there are also 85mm and 135mm Pentax lenses that are super and there are also 18mm, 15mm, and 20mm lenses that are also considered superb for digital photography, if you read the reviews. ARRI Build QualityAlmost a century of experience, an obsessive attention to detail and an intimate familiarity with the conditions on set have led to generations of ARRI cameras that are robust, reliable and simple to operate - all features that our digital cameras have inherited. Using them gave me a lot of creative freedom to work on different kinds of set-ups – indoor, outdoor, harsh lighting, soft lighting. The ability to add rear elements to give a distinctive look is an added bonus. See a focus and bokeh demonstration video of the ARRI Signature Prime Lenses: The different focal lenghts from 15 – 200 mm capture a scenery wide open, while the focus is being shifted (position of camera remains the same). Ranging from 12mm to 280mm, the ARRI Signature Prime lenses offer a unique look never seen before in cinema. Getting the right lens is not easy and rehousing is a difficutt and expensive process. We can be closer to the action; a physical step that makes all the difference with the classical format I was used to. 11 to find the gems among them. From warm, smooth skin tones to soft bokeh and delicate flares, the showreel demonstrates the benefits of the Signature Primes with footage from productions around the world. Hear important insights and even some secrets about the ARRI Signature lenses directly from the product manager Thorsten Meywald. DP Mélodie Preel (known for commercials for: Roger Vivier, American Express, ubisoft and many more). ". These are the first modern lenses that have stolen my heart. The lenses are lightweight and are not too sharp, but with a certain softness and very specific. Cinematographer Kyle Krupinski (known for: Parallel Chords, The Solipsist, Under the Grove and many more). Thank you. Cinematographer Keiko Nakahara (known for: The Jane Austen Book Club, Shakuntala Devi, Tanhaji: The Unsung Warrior and many more). The Pentax A 28 f2, 50 f1.2, and 85 f1.4's are all loved lenses by Pentax shooters. Thanks to the Signature Prime lenses, I had my first encounter with large format. The ALEXA LF with the Signature primes is just amazing! Reading on the web it seems like a form of refurbished? Cinematographer Tom Faehrmann BVK (known for: Das Wunder von Bern, Ulzhan - das vergessene Licht, Campus and many more). I love the large format of the ALEXA Mini LF, and I love the Signature Primes, which give beautiful skin tones and a seamless roll-off in the shadows. I am thrilled by the natural and organic look, the pleasant sharpness without disturbing micro-sharpness, the warm color rendition in combination with very natural skin tones, and the richness of details deep into the blacks. The 20 f2.8 is also very apricated in a system that doesn't have as many wide angle options as other systems might offer. And the spelling is different which explains why I wants was not able to find information on it. ARRI announced that the entire range of its large format flagship lenses, the Signature Prime are now available and shipping. Capturing human friendships on location in Thailand, this clip beautifully showcases the detail, dynamic range and sensitivity of ALEXA LF. I was quite surprised at how good the Signature Prime Lenses were. Cinematographer Remi Adefarasin OBE BSC (known for: Jingle Jangle, Elizabeth, The Last Vermeer and many more). Cinematographer Dan Laustsen ASC, DFF (known for: The Shape of Water, John Wick: Chapter 2 and 3, Crimson Peak and many more). Actualités, bons plans et conseils sur la vie étudiante, la mode, le sport, la beauté et la culture Oh yes, and then there are the great many limiteds which I do not (yet) own... rehaused Is not a word that’s commonly used in my experience in America. Don't forget to bookmark this page by hitting (Ctrl + D), ALEXA LF with 35, 47 and 75 mm ARRI Signature Prime lenses. A wider diameter and shorter flange focal depth allow LPL lenses to be small and lightweight, with a fast T-stop and pleasing bokeh—a combination of features that would not be possible with the old PL lens mount. Cinematographer Bill Bennett ASC (known for: Kiss or Kill, In einem wilden Land, Outback and many more). Franco has stated that he attempted to sustain a comic-book look in ⦠Site Map; Search Terms; Advanced Search; Orders and Returns; Contact Us; About Camera Shop. Hello everyone. Showcasing the versatility of the Signature Primes and their ability to render emotionally rich images in all weather and lighting conditions, from bright exteriors and sun-filled rooms to atmospheric nightscapes, muted cloud cover and shadowy interiors. Shooting The Pursuit of Love I found the Signature Primes, in combination with the Mini LF, to be elegant lenses with character and depth. Now streaming on Netflix, Jangle’s colorful, magical world was brought to life by DP Remi Adefarasin on ARRI ALEXA LF cameras and Signature Prime lenses. I discovered a new approach in my camera work, a new distance with the people I was filming. They are also very soft while still having a personality. Cinematographer Milos Moore (known for: Patrick Melrose, Stan Lee's Lucky Man and many more). The ARRI Signature Primes have proved to be a gamechanger, both on set for our clients and also for the rental aspect of our business. $4.60. Perfection must have character. The Nucleus-Nano (WLC-T04) is a revolutionary wireless lens control system specifically designed for handheld gimbal systems. Tom Fährmann BVK uses ALEXA LF and ARRI Signature Prime lenses to document the creative preoccupations of an architect, which bear striking similarities to those of a cinematographer: light, texture, detail, and the expression of emotions through practical skill. I enjoyed doing the DI for 'Jingle Jangle' creating SDR & HDR masters. Cinematographer Simon Huber (Known for: Aller Tage Abend (currently shooting), Lasst die Alten sterben, Experiment Schneuwly and commercials for FIFA, Coca-Cola, Virgin, Samsung and many more). You could mix and match... getting the best optical example of each focal length. Initially that was what attracted me, but once I started using the lenses, I have been amazed at how they render skin tones—and color in general. Cinematographer Karl Walter Lindenlaub ASC, BVK (Known for: Independence Day, Black Book, Chronicles of Narnia, Halo and many more). The filter holder is magnetic, allowing fast and easy changes between looks, with no tools needed. The Signature Primes look very nice. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine-style lens accessories. The blacks are beautiful, and the lenses are so lightweight; they are the best lenses in the world right now. CANON IXY APS CAMERA. There were significant restrictions on space and light, as the project was shot in a real life apartment, and not on a sound stage. So much shadow detail with this level of crisp blacks is something I have not seen before. Varying portrait lighting illustrates the humanity, color and exceptional clarity of the ALEXA LF/ARRI Signature Prime combination. It’s wonderful how it’s apt for skin tones, for varying lighting ratios, and the blacks are really beautiful. Almost every shot in the film is a loving homage to 1940s private eye cinema (such as THE MALTESE FALCON and THE BIG SLEEP) filtered through a 1980s MTV-style lens. In addition, third parties offer LPL lens mounts for cameras, director's viewfinders, and lens testing tools, so ARRI Signatures and other LPL lenses can be universally used. “How to Be a Good Wife,” a hit this summer in French cinemas, along with soon to be released “My Cousin”and“Waiting for Bojangels” were all captured with ALEXA LF and ARRI Signature Prime lenses.Cinematographer Guillaume Schiffman AFC explains his choice of tools which also included ARRI SkyPanel and ALEXA Mini LF. I love the lenses; they strike a wonderful balance between modernity and character. I really like the character the Signature Primes give to the image--incredibly clean and sharp. With the new mount, a whole new lens architecture is possible. These lenses appeal to me because they're soft, but, depending on how I light the shot, I am able to get a more or less contrasted image. Exclusive-level lens service is now available in Burbank, Munich, Beijing, and Hong Kong. CANON IVSb with chrome L39 CANON LENS 1.5/50 CAP. In my opinion, Signature Primes have a wide range of features to suit any need, whether it be shooting commercials, music videos, or feature films. I was really interested in the unique focal lengths that the Signature Primes offered. I love the look of the Signature Primes. We as cameramen miss film obviously, we miss the organic look of film and having lenses that render faces in a more organic way is really important. Cinematographer Maxime Alexandre AIC (Known for: The Haunting of Bly Manor, Shazam!, The Nun and many more). Anything M or later will have different flare, ghosting, etc, due to advanced and modern coatings. This lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor. Cinematographer Wang Yu navigates the atmospheric studio and creative inspirations of the celebrated Chinese artist and furniture-maker, Shao Fan. “Thanks to the gorgeous ARRI Signature Prime lenses and TRINITY, we created an amazing single-shot film!" CANON EXEE QL CANON LENS EX 1.8/50. Cinematographer Guillaume Schiffmann AFC (known for: How to Be a Good Wife, My Cousin, Waiting for Bojangels, and many more). For this to happen the lens has to sit precisely where it should be, responsible for that is the lens mount.Get to know all our lens mounts and find out what makes our new LPL mount unique! My name is Enrique, I am from Argentina and I have been a director of photography in film and advertising for about 5 years. Warm, smooth skin; open shadows with crisp blacks; and bokeh like looking through a window in the rain. ALEXA LF with 25, 47, 75 and 125 mm ARRI Signature Prime lenses. The compact design of the Mini LF as well as the amazing light weight of the ARRI Signature Primes allow fast and flexible work. rehaused Is not a word thats commonly used in my experience in America. We develop our own Software Development Kit (ARRIRAW SDK) for processing ARRIRAW data to RGB images and talk to 3rd party vendors to ensure support in their tools. say writer/director Isabel Anderton and producer Christine Hartland from "The Yearning," a short film made with Directors UK ARRI TRINITY Single-Shot challenge and filmed on location in the traveling Zyair Circus featuring Isis Hainsworth, Barry Ward, Bianca Guh, Gabriel Mansour. Le Dauphiné Libéré des enfants est un journal pour les 6-11 ans créé par Le Dauphiné Libéré. Suggest you read the lens tests here on this sight, and read how they perform with aps-c sensors and then how they perform for those with the FX sensor K1 and K1 mk. $13.80. Signatures are perfect for shooting with a hand-held camera, as they are quite lightweight. The combination of my ALEXA Mini LF with the ARRI Signature Primes (provided by Cinegrell) was the perfect choice for the shooting of the Swiss "Aller Tage Abend." T1.8 allows for a very shallow depth of field and they have a very nice focus roll off. Wow, what a beautiful lens, brilliant skin tones! Quite frankly, the quality blew me away. I have the super takumar 35mm f3.5 which I love, but others love the SMC version even more. After doing a lot of tests, I chose the Signature Prime lenses, because they give me more freedom and preserve the structure of a large-format portrait that our film needed. Experience what’s possible in a lens with the new ARRI Signature Primes Showreel 2019. To me, the system embodies typical ARRI quality, but there is a new level of emotion to the images—a smoothness to the way the camera and lenses work together. LDS-2 extends the possibilities of lens data and can be licensed to other lens and camera manufacturers. The well-known cinematographer Christopher Doyle to give his feedback on the Signature Prime lenses, which he used for his latest movie “Just 1 Day”. Remote Phosphor Panels, Panel Carrying Bags, Conversion Filters, Softboxes, Accessory Holders & Speed Rings, Tiny Studio - No Automation - Stellar Control, Medium Studio - Full Automation - Redundant DMX Control, Small Studio - No Automation - DMX Control, Large Studio - Semi-Automated - IP and DMX Control, Medium Studio - No Automation - DMX Control, Large Studio - Semi-Automated - Redundant IP and DMX Control, Medium Studio - No Automation - Redundant IP and DMX Control, Software and Firmware Updates for Cameras, Software Update for Wireless Video System, Certified Training for Lighting Fundamentals, Hélène Louvart AFC shoots with ARRI cameras on both Super 16 and digital, Luo Pan ASC behind the scenes on "The Sacrifice", “You Will Die At Twenty” crew on working with ARRI, Exceptionally soft bokeh for increased sense of separation, Unparalleled flexibility with magnetic rear filter holder, No visible focus breathing and no distortion for easy tracking, Minimal chromatic aberration for a perfect key, Optimal results with all sensors due to near-telecentric design, New mechanical design concept for easier service, Covering all image circles up to large format 46 mm, Backwards compatible with PL-mount lenses through rock-solid PL-to-LPL Adapter. After completing principle photography on the film "How Can I Forget," cinematographer Adam Etherington commented: “The ARRI Signature Prime Lenses are beautiful, and I'll be very interested to work with them more in the future..." Read more... A brief review of ARRI’s new LPL-mount large-format cine lenses. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Digital imaging has finally found its lens! Cinematographer Wang Yu (known for: Suzhou River, Fengshen Trilogy, The Golden Era and many more). The lenses are also very lightweight, which is crucial for action films with quite a lot of handheld scenes. Cinematographer Zac Nicholson BSC (known for: A Boy Called Christmas, The Personal History of David Copperfield, Misbehaviour, All Is True and many more). Ranging from 12mm to 280mm, the lens series features 16 focal lengths, which are the most comprehensive assortment of large-format lenses available. We shot often at full opening and we could appreciate the magnificent bokeh, the beautiful flair, and the fine optical behavior even in our rather difficult shooting conditions. All of them are captured perfectly by the ARRI large-format system. With 16 lenses in the range from 12mm to 280mm, the Signature Primes are modern lenses with a timeless look. Expand your technical know-how and discover the aesthetic aspects of our lenses. Image ProcessingA steady look-out for image quality is key to delivering the best possible image through a given pipeline. From warm, smooth skin tones to soft bokeh and delicate flares, ARRI's Cinema Lens Specialist Art Adams shows you the four unique characteristics to look for in the new Signature Prime lenses. ARRI Signature Prime lenses enhanced my creativity, adding space to depth of field and body to structure. The Signature Primes are hyper sharp but they have a smooth roll off so they don’t feel that way. ARRI is releasing Signature Prime Software Update Package 2.1, including Lens Firmware LMC V2.1, Lens Bootloader V1.5 and Sensor Firmware V2.06. Director Paul Mignon (known for: Patagonia, Pampa, Norte and many more). I love how the out-of-focus areas are rendered, contributing to a rich and vivid overall look. Originally developed for our ALEXA camera family, it had the same height and width as a 35mm film frame. Often, I was at T2 or T2.8, but there were times when I closed the iris to see more of a location, and others when I opened it up to take advantage of the very shallow depth of field. Cinematographer Nikita Gorodnichenko (Known for various music videos, short films and commercials). and many more). I am interested in investing in a kit of SLR lenses for make them rehoused cinema lenses, since I am advising investors in a future rental house with which I am going to work. I really like the Signature Primes. Their creative versatility makes them a standout option for high-end productions, which is why our lens sets are constantly working. The ALEXA LF camera and Signature Prime lenses are an elegant combination. As a cinematographer, our obligation is to show things in a better way and in a different way, in ways you haven’t seen before. Cinematographer Tom Stern AFC, ASC (known for: Changeling, The Hunger Games, American Sniper, Flags of our Fathers and many more). Cinematographer Roger Deakins CBE, ASC, BSC (known for: 1917, Blade Runner 2049, Skyfall, Sicario, No Country for Old Men, O Brother Where Art Thou? Cinematographer Phillip Peschlow (Known for: Jim Button and the Wild13, Lommbock, Pagan Peak and many more). $9.20. I designed shots to look directly into the sun. Being made of magnesium they are nice and light for handheld work, whilst maintaining a fast, uniform speed across nearly all the range. As a DP I am able to explore areas I wasn’t able to before. Aloha Tube - sex videos updated every 5 minutes. The marriage of the ALEXA LF and the Signatures is an absolute winner! Cinematographer Hyuk-Jun Yoo (known for: Leverage, Oh My Baby and many more). The image is superb and in combination with the ALEXA Mini LF they are seriously tough to beat! Shooting wide open with ARRI Signature Prime lenses for shallow focus and gorgeous bokeh, cinematographer Matias Boucard works purely with natural light and available sources. Handsomely crafted glass that I found I could really lean into and the results were always sleek and flattering. Cinematographer Man-Ching Ng, HKSC (known for: Rise of the Legend, Rigor Mortis, Infernal Affairs II & III and many more). @Gaute Gunnari, DP of Netflix show “Young Wallander”. Any material can be used to make a filter, from tinfoil and fishing line to stockings, wrapping paper, and vintage fabrics—each of them affecting bokeh, flaring and diffusion in different ways.