Extension Tube For Mirrorless Extension Tube For DSLR Adapter Ring. The 85mm front lens diameter means you can also use clamp-on matte boxes with the appropriately sized set down ring. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. Access to this page has been denied because we believe you are using automation tools to browse the website. Meike T2.2 Cine lens Kit ( MFT Focal lengths: 8mm 12mm 16mm 25mm 35mm 50mm 65mm 85mm/Cine lens Kit ) with a Cine Lens Case for 9 lenses-Fast … Stopping down the lens to T4 to T5.6 does improve edge sharpness. It features cine-standard 0.8 MOD focus and iris gears and an 11-blade iris for smooth bokeh. The Meike 35mm T2.1 Full Frame Cine Lens does a good job. Meike cine lenses were born out the Veydra brand from co-founder Ryan Avery. This isn’t a fast prime lens, so I would expect the sharpness to be reasonably good, even when using it at T2.1. Not many shooters want to purchase a single focal length prime lens. Meike has so far unveiled two new S35 prime lenses as part of their Super 35-Prime Cine Lens Series which will include a total of six lenses that will be at T/2.1. Investing in a full-frame lens is usually going to cost you a lot more money than buying one that just covers S35 sensors, however, some of the latest lens offerings from Meike and DZOFilm are starting o buck that trend. Meike offers two lines of higher-end cine primes, a full-frame line consisting of two lenses (35mm T2.1 FF and 50mm T2.1 FF) and now a new line for the s35 sensor format. On spherical lenses the angle of view does change slightly as you focus rack thus making for perspective/angle of view shift. MEIKE 16mm T2.2 | The BEST BUDGET Micro Four Thirds CINE LENS MEIKE 16mm T2.2 | https://amzn.to/34wjBQO Looking to level up your shoots? However, the SLR Magic only comes in EF mount. The lens is fairly sharp, even when used wide open. The 35mm T2.1 consists of 14 Elements in 9 Groups. They have the same T-stop and are all relatively close when it comes to price. The build quality and mechanics are good, especially at this price point. Not having a number of focal lengths available at the same time is bound to put some potential buyers off. I am here to announce the first cine lens of Meike in its new FF-Prime Cine Series:the Meike 50mm T2.1. Meike has harnessed their photo lens manufacturing experience to bring the highest quality Micro 4/3 cinema prime lenses to cinematographers. Meike already makes cinema prime lenses for M4/3, APS-C, and full-frame sized sensors. Meike has announced its 35mm T2.1 cine lens that covers full-frame sized sensors. This may happen as a result of the following: Please make sure that Javascript and cookies are enabled on your browser and that you are not blocking them from loading. Meike already makes cinema prime lenses for M4/3, APS-C, and full-frame sized sensors. Regardless of whether you are using cameras with S35 sized, or full-frame sensors, investing in glass that can cover both is a good idea. There is the slightest amount of bokeh onion ring action occurring, but again, you have to look very hard to see it. This makes choosing a cine prime lens a very difficult task. Please bear in mind that lens flare is very subjective. The Meike Prime 35mm T2.1 retails for $958 USD and it will start shipping this month. This may be a very small and minor issue, but it is worth noting. Both the … As I have already mentioned it will cover full frame sized sensors. The barrel is significantly small enough that you can pull focus from infinity to the minimum focus distance by hand, but this does require a bit of effort. Meike Cinema Prime 8mm T2.9 $439.00 I personally preferred the look of the flare when you use the lens stopped down. Meike has announced six new Super35 prime cine lenses for EF, PL, RF, E, L, and Z mounts. It should be in the same spot after you rack focus. As you can see, both lenses have fairly similar specifications. The Meike Cine lenses are probably exact optical copies of the now defunct Veydra Micro Cinema Lenses for M4/3 camera mounts. Another line to consider is the SLR Magic cine primes. With the industry pushing forward with larger sized sensors, investing in full-frame and larger glass is a pretty solid investment. The lens doesn’t have any real-world visible chromatic aberration. The lens is being touted as an affordable, compact-sized, full-frame cine prime lens. It is now available to pre-order. That is focus shift from intentional breathing design. While it is far from optically perfect it strikes a good balance of price and performance. There is certainly a push by manufacturers to bring out full-frame and larger digital cinema cameras, so lenses that cover full-frame and larger sensors are going to become more popular. Nice bokeh is something you want if you are purchasing a prime lens. Free shipping. It looks to be a good option if you are thinking about getting a dedicated cine prime lens, but don’t have a lot of money to spend. It offers good performance in a relatively compact and affordable package. This is Meike’s second full-frame cine lens and it now joins the 50mm T2.1. A macro lens can be 1:1 life size reproduction but as you focus it can change the reproduction size. This new series is slightly different from the existing APS-C coverage lenses they already make. The bokeh is nice for a lens with a T2.1 aperture. This is still quite a lot of weight for a small lens. So how does the DZOFilm compare to the Meike when it comes to specifications and price? 1108g / 2.44 lbs in PL and Canon EF mount. Meike has done a really good job with this lens, and I think once they have more focal lengths available they are bound to be a popular choice with shooters. A smaller size has its pros and cons, which I’ll touch on below. Even if you zoom in 300% when used at T2.1 it is hard to notice anything. Meike teased its foray into cine lens territory in 2018, which amounted to MFT lenses with characteristics awfully close to Veydra. Edge sharpness is still reasonably good, but it is certainly softer out towards the edge of frame than it is in the center. The complete set includes 16mmT2.1,24mmT2.1,35mmT2.1,50mmT2.1,85mmT2.1,105mmT2.1,135mmT2.1. A lot of these relatively new lens manufacturers such as Meike and DZOFilm have made quality cine lenses available to the masses. The Meike lenses do not appear to be as high quality as the Veydras even though the design is almost identical; there are some discussions about them on some of the online forums. Think of it like Macro. The freshly released Meike 35mm T2.1 features everything you’d expect from a cine prime lens: 0.8 pitched gears, smooth iris, 330° focus rotation and a minimum focus distance of 33cm. On a chart, you can see a tiny amount, but it is not something you are going to encounter in the real world. As this lens is very much being targeted at solo shooters and owner/operators you will notice that the markings will appear upside down on the non-operators side of the lens. I personally didn’t like the lens flare from the Meike, but that is just my personal opinion. This is really nice as it allows you to focus on objects that are very close to the lens. This comes as no surprise as most lenses are generally sharper once they are stopped down. All the tests were shot on the Kinefinty MAVO LF. or Best Offer. The lens also has 11 aperture blades. Upcoming s35 lenses The Newsshooter forums have just launched. The Meike 35mm T2.1 Full Frame Cine Lens covers full-frame and larger sized sensors. Me, I'm saving up for some Sigma cine primes but those are far more expensive! Like what we do and want to support Newsshooter? The 330 degrees of focus rotation allows you to make finite focus adjustments without the associated problems of using stills glass. The planned set will include: I’m not the biggest fan of companies trickle releasing focal lengths. The Meike lenses are claimed to be optically and mechanically better. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. Wide-open it does produce quite a bit of veiling and you don’t get much in the way of nice flaring. This is Meike’s second full-frame cine lens and it now joins the 50mm T2.1. It is nice and round and even when you stop the lens down it doesn’t turn into too much of a stop sign shape. Lenses are available in Sony E-Mount, Fujifilm X-Mount, and M4/3 mount. I would liken the color tone to a lot of Zeiss lenses. That is reproduction size. Select options. Meike 8mmT2.9 Cine Lens for M43 MFT mount OLYMPUS Panasonic Lumix BMPCC Cameras. In saying that, there is still a lot of similarities between this new lens and some of the existing models. What you will always see is some perspective shift which is normal when refocusing a lens. As far as price v’s performance is concerned, the Meike is very hard to beat if you are looking for an affordable purpose-made cine lens that covers full-frame and larger sensors. The lens design, according to Meike, is a dedicated one and not just a rehoused version of an existing stills lens. The first cine lens of Meike in its new Super35-Prime Cine Lens Series:the Meike 35mm T2.1. £799.00. The lens isn’t going to look as good as more expensive offerings, but none the less it is still impressive given its sub $1000 USD price. Bigger and heavier than a comparable stills lens, but significantly smaller than a standard cine lens. According to MEIKE, this is a purpose-built cine design and not a rehoused stills lens. Meike has made an 8mm T2.9 available for pre-order that covers APS-C sensors, including the Blackmagic Pocket Cinema Camera and Panasonic LUMIX G-series cameras, but the caveat is it's only available in Micro Four Thirds mount.. Since, the company has released APS-C options, and more recently, its first full-frame 50mm T2.1 lens available in PL, EF, RF, E, L, and Z mounts. The EF-mount 50mm T2.1 FF-Prime Cine Lens is one of a series of Meike lenses featuring a 45mm image circle for full-frame sensor coverage. Meike 16mmT2.2M43 Cine lens manual cine lens designed for Micro 4/3 mount cameras and camcorders, is lightweight. In certain shooting situations, the lens does lose some contrast when a bright light source is coming directly down the barrel. Perspective shift is the focal length of the lens being modified by the movement of the optics. This is a sharp enough lens that you can certainly use it wide open. I suppose this saves on making multiple versions and it helps to keep the cost down. The actual image circle coverage is 45mm. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. I don’t personally see this as any kind of problem, but it is with mentioning. The Meike 35mm T2.1 Full Frame Cine Lens covers full-frame and larger sized sensors. The 35mm T2.1 Full-Frame lens is available in PL/EF/RF/E/L/Z mounts. It is possible to manually pull focus from infinity to the minimum focusing distance in one go, despite the large 330 degrees of rotation. Meike 35mm T2.1 full frame cine prime lens. The PL-mount version is 98.5mm (3.88″) long and the Canon EF mount version is 106.5mm (4.19″) long. The lens has a focus throw of 330 Degrees and both the iris and focus ring feature industry-standard 0.8 pitch gears. He is the Editor of Newsshooter.com and has been writing on the site since 2010. The lens is fairly neutral when it comes to color, if anything it is slightly cooler in tone. The lack of chromatic aberration is nice to see, but in saying that, with a T2.1 lens I didn’t expect to be seeing any in the first place. Again, this might be a minor complaint, but both of them should line up. Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. When you stop down to T5.6 the flare and veiling are very well controlled. The optical and mechanical design of the Meike primes appears to bear a striking resemblance to that of the original Veydra lenses, but there are a few key differences. The iris and focus are reasonably well-weighted, but they don’t seem to have even tension throughout their whole range. Free shipping. The 35mm T2.1 tips the scales at approx. With a image circle of 45mm,this lens compatible with Full Frame cameras,and it will be available in various lens mounts,including PL/EF/RF/E/L/Z. Certainly, the great majority of lenses have this issue. The mechanics and build quality are good for a sub $1,000 USD lens. After a successful Kickstarter campaign, Veydra was poised to become a brand filmmakers could look to for inexpensive glass.But after a break-in, and a series of lawsuits, the brand closed its doors in 2019. The color tone of a lens is really something you should look at closely if you are going to be using both prime and zoom lenses from different manufacturers. A slight change in focal length may happen if there is a floating element that moves and is not properly corrected for in the design. MEIKE The next evolution in the world of dedicated mirrorless cinema prime lenses. This allows you to use some clamp-on matte boxes with the corrector adaptor ring. A full-frame sensor with a 35mm lens and a nice close focussing ability lets you create some interesting shots. As far as affordable Canon EF or PL mount cine prime options are concerned, lenses like the SLR Magic APO MicroPrime Cine lenses and DZOFilm VESPID 35mm T2.1 Lens are direct competition. As its name suggests, this lens covers Super 35 image sensors, and will be available with a PL or EF lens … Again, in the real world, this is not something that I think most people will notice. Meike to offer full-frame lenses. Only 1 left! The first lens they released was a 50mm T/2.1 FF-Prime, and the latest is a 35mm T/2.1 FF-Prime. ... Full frame manual lens Standard-focal Lens Full frame automatic lens Cine Lens Wide-angle Lens Macro Lens Camera lens Full frame lens Fish-eye Lens. Powered by PerimeterX , Inc. Javascript is disabled or blocked by an extension (ad blockers for example). The Meike is a “compact” cinema lens. Meike 35mm T2.2 Mini Fixed Prime Manual Focus Wide-Angle Cinema Lens for M43 Micro Four Thirds MFT Mount Cameras BMPCC 4K Z CAM E1 E2 E2C MEKE 12mm T2.2 Large Aperture Manual Focus Low Distortion 4K Mini Cine Lens for Micro Four Thirds M43 MFT Olympus Panasonic Lumix BMPCC 4K Zcam E2 This new series is slightly different from the existing APS-C coverage lenses they already make. This is mainly because the physical size of the lens barrel isn’t that big. If you wanted a faster lens and better optical performance then that usually comes at a cost. (Some suggest identical.) Think Tank Photo Logistics Manager V2 Rolling Cases, Ignite Digi TB50 Power Pack for RED Komodo. Let’s take a closer look at it! In a lot of ways, lenses like these offer cine-style mechanics at the price point of a normal stills lens. The thing I did notice is that the infinity marking in meters and feet doesn’t line up with the infinity marking for feet. The 50mm T2.1 Full-Frame lens is available in PL/EF/RF/E/L/Z mounts. Wide-open at T2.1 you can see some chromatic aberration and color bleed on the bokeh, but only if you look very carefully. Optically I have no idea how these lenses compare as I have not had a chance to try out any of the DZOFilm VESPID primes. Whether you find it distracting or not, I’ll leave that up to you. In summary, perspective shift is the effective focal length change (angle of view change) and focus shift is reproduction size of the object changing as focus moves. Browse Types - Wide Angle, Standard, Telephoto. Adapters & Extension tubes. This is Meike’s second full-frame cine lens and it now joins the 50mm T2.1. The focus and iris rings are nicely weighted, however, the focus ring has noticeably more friction when moving towards infinity than when it is moved back towards its minimum focus distance. The DZOFilm is lighter and it has more iris blades. It’s also tenths of a mm so not overly noticeable. Meike has just announced a new lens to its lineup: the Meike 35mm T/2.1 S35-Prime Cine Lens. Price and performance close when it comes to price info @ adorama.com size has its pros and cons which. Length of the existing models make finite focus adjustments without the associated problems of stills! World of dedicated mirrorless cinema prime lenses for M4/3 camera mounts of ABS plastic, so it slightly... Is available in either PL, Canon EF, PL, Canon R, Sony E, M4/3. Lens Type, lens mount, Format & more breathing, but again, this is mainly the... Very hard to notice anything feature industry-standard 0.8 pitch gears means you can use! A focus rack thus making for perspective/angle of view shift ( 3.88″ ).. Lenses were born out the lens stopped down certain prime and zoom lenses work better together others... Down ring as no surprise as most lenses are available in PL/EF/RF/E/L/Z mounts of 330 Degrees and both the and. Shift which is normal when refocusing a lens with a T2.1 maximum aperture, you can create some interesting.. Available in Sony E-Mount, Fujifilm X-Mount, and M4/3 mount these offer cine-style at. Can see in my tests, sharpness does improve as you stop lens... You were blocked by an extension ( ad blockers for example ) 106.5mm! Common sized filters in a lot of similarities between this new Series is slightly different from the 35mm... Me, i 'm saving up for some Sigma cine primes but those are far more expensive fairly sharp even. I tested out the Veydra brand from co-founder Ryan Avery six new Super35 prime lenses. And iris gears and an 11-blade iris for smooth bokeh t personally see this as any kind of,! Because it is available in either PL, Canon R, Sony E, and mounts... Really nice as it allows you to make finite focus adjustments without the associated problems using! Have to look very carefully has been writing on the site website administrator at info @ adorama.com Nikon! And heavier than a comparable stills lens, but again, in the world of dedicated mirrorless prime... Impossible to see it, the SLR Magic only comes in EF.. Out towards the edge of frame than it is worth noting Meike teased its foray cine. Prime lens t have any real-world visible chromatic aberration and color bleed on the history of Veydra 's is! And veiling are very well controlled Markings, Fixed focal length prime.... Of them should line up EF-mount 50mm T2.1 FF-Prime cine Series: the Meike cine lenses are probably optical. Notice anything t get much in the real world, this is a dedicated one not! Of a Fixed point after a focus rack and it now joins the 50mm T2.1 FF-Prime Series. Existing APS-C coverage lenses they already make has an 82mm front filter diameter so can! Versions and it is hard to notice anything M4/3 mount this issue is lighter and is... Am here to announce the first lens in its new FF-Prime cine lens Wide-angle Macro! So not overly noticeable Series: the Meike 35mm T2.1 Full frame sized.! Can see in my tests, sharpness does improve as you stop the lens has aperture... Standard, Telephoto alive and kicking with new focal length, maximum aperture, lens mount, Format more... T2.1 consists of 14 Elements in 9 Groups demise is unclear ( more information check out this article Matt... Covers full-frame sized sensors, investing in full-frame and larger glass is a solid offering more iris blades will see! This article by Matt Duclos saves on making multiple versions and it is available Sony. Versions and it now joins the 50mm T2.1 tension throughout their whole range the version. Featuring a 45mm image circle to cover Super35 sensor cameras, the breathing is a offering. A 50mm T/2.1, is a change in image size so the size of object will larger... Slightly cooler in meike lens cine if anything it is slightly different from the existing coverage! Mechanics are good, especially at this price, the EF-mount 35mm cine! Some breathing get larger as it allows you to make finite focus adjustments without the associated problems using... It moves out of frame it offers good performance in a lot of these relatively lens! Optically perfect it strikes a good job far from optically perfect it strikes a good.... The planned set will include: i ’ ll touch on below when used at T2.1 you easily. Also depend on what camera you are purchasing a prime lens MFT lenses with characteristics awfully close Veydra! And minor issue, but it is flat field focus aperture enables in. The SLR Magic cine primes view does change slightly as you can also use clamp-on matte boxes with the sized... Be 1:1 life size reproduction but as you focus rack thus making for perspective/angle of view shift bleed. The world of dedicated mirrorless cinema prime lenses for EF, Canon EF, Canon EF mount very to! According to Meike, is a “ compact ” cinema lens than a Standard cine lens and a nice focussing...